Tag Archives: chicago

Territories and Infrastructure, Version Fest, Chicago IL, 04/22/10 – 05/03/10

Harlequin (prototype)

Harlequin (Prototype)
Mixed Media
Dims var.
2010


Opening Of Version Festival
Territories Group Exhibition
@ Zhou B Center (1029 W 35th St)
www.zbcenter.org
7-10pm – exhibition runs through May 3
Opening night of Version 10 begins with Territories, a group exhibition. Meet participating artists and get an advanced look at the festival program ahead. Features work by: Tomas Moreno, Chad Gerth, Hui-min Tsen, Chris Larson, Hideous Beast (Josh Ippel, Charlie Roderick), Tim Graham, Jennifer Mills, Xavier Nuez, Miguel Guzman, Monument 1.5, Alexa Loftus, Peter Feigenbaum, Aron Gent, Aaron Delehanty, Holly Holmes, Before Cake after Dinner, Se Young, Brian Murer, Erik DeBat, Sarah Ross, Bill Mackey, Mike Slattery, Tom Burtonwood, Kariel ( Karri Kuoppala and Muriel Laesser),  Heloisa Escudero, Jeff Zimmerman,  Lise Haller Baggesen, Gitte Bog, Gudrun Hasle, Anni Holm, Berit Nørgaard, & Niels Post.

Curated by Dayton Castleman & Ed Marszewski

(Exhibition runs through May 3rd, Open Sat 12-5pm and by appointment: 773 837 0145)

Harlequin (prototype)

Harlequin (prototype)

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Doom Bear Havoc

Doom Bear Havoc

Doom Bear Havoc, drawing, 2002

Between October 2001 and August 2002 i worked at Pearl Paint in Chicago along with many. many other fine, young, crazy, displaced, deranged, artists and art students too many to name…. each day was a constant fight whether the vampires (certain managers) who were trying to steal our souls, the lincoln park trixies casting their intricate wedding invitation faux vellum curses on the hapless paper dpeartment, or the general suck that is retail…. to all of you artists who suffered and suffer still in retail hell  i post this image, of Doom Bear Havoc remember him at 4pm on a rainy afternoon with 2 hours to go, no more breaks, no caffiene to be had, no sonic youth on the stereo and a line of zombies assaulting your counter…..

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Isometric Interior

isometric-interior

Isometric Interior, pastel on paper, 2009

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Mobile Sculpture: Lander

postcard

Lander, Cardboard and mixed media, 2000

Lander was the next generation of mobile sculptures i produced at SIUC. The Lander was a in military speak a MANP (Man Portable) sculpture. Drawing inspiration from the Apollo Eagle Lunar Lander the piece folded into a compact rectangle that could be carried as a backpack. A standard camera tripod provided legs to raise the Lander off the ground. The sections were intended to resemble solar panels or some kind of sensor array. Once again i painted it a bright yellow for maximum disruption when set up in public.

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Apart from creating some kind of absurd intervention, this piece was the first system sculpture. Traveling first from Carbondale via Amtrak to Chicago, then by air from Chicago to Minneapolis (via Kansas City) and back again this piece was an early stab at developing an administrative art work. Lander was a super important work for me as it focused in on a range of themes and practices that would shape my development both at Carbondale and later here in Chicago.

post300

First and foremost it got the work out there. In a real physical sense. Not only was the work shipped around the Midwest but at each location it was installed on the street for 10 – 15 minutes and passed out information to passersby. Each intervention was documented with photographs and later in the gallery these images were combined with maps showing each site. Apart from the simple act of getting visibility this project cemented the DIY ethos that would define pretty much everything i have done since as an artist and arts professional. In a wider sense this piece symbolized the transportation of ideas, creating networks, developing “integrated systems.” All concepts that again would prove key to my thesis show and later to my practice. And oddly enough for me this piece was pre-internet, sure i was using email, and thinking about web sites and so forth but it was still dot com bubble land, ie it wasn’t utterly ubitquitous. For me this piece was about tracking an object of intellectual curiousity through physcial space, as one might track a package via fed ex.

UPDATE 08/29/09

APS filmstrip for Lander project, 2000

APS Filmstrip showing different installations in MPLS, 2000

Digging thru boxes tidying the studio and found this image, of showing various installations of Lander in and around Uptown in Minneapolis during the Thanksgiving break in the fall of 2000. I love the format of this APS filmstrip, a sort of pre-digital image, or at least a transitional technology that if anything was a signal of the eventual demise of 35mm (135) camera film. Anyhow i love how this image shows all the different states, with a numerical designation in the bottom left corner and so forth. At some point i’ll upload further documentation of the project and possibly build a small sub-website to tell the story completely.

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